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Presto - Kurt Schwitters, Jaap Blonk - Ursonate

8 thoughts on “ Presto - Kurt Schwitters, Jaap Blonk - Ursonate

  1. "It was the late '70s when I first heard Kurt Schwitters' Ursonate," Jaap Blonk told CultureMap in a phone interview from Chicago, where the Dutch performer is currently a visiting artist at the.
  2. Nov 02,  · Music / Post No Bills Dutch sound artist Jaap Blonk returns to I've been a bit surprised by the recent output of Jaap Blonk, sound poetry, Dadaism, Kurt Schwitters, Ursonate, Songs of.
  3. Ursonate. There had been several forays into sound poetry by Dadaist artists in the years before and after , but the major work of the time was Ursonate, “composed”, one might say, by painter and collage artist Kurt Schwitters.. In , Schwitters began writing a sonata for the voice based on abstract vocal sounds organized as musical phrases and motives.
  4. Kurt Schwitters' Ursonate by Jaap Blonk, released 23 December 1. erster teil (first movement) 2. largo 3. scherzo 4. presto Recorded by Jurre Wieman at Edgetip Studio, Arnhem, March 20, Cadenza in ‘presto’ improvised by Jaap Blonk Mastered by Jaap Blonk, May Photos of Jaap Blonk by Jochen Roeder, May More about the.
  5. Oct 21,  · Kurt Schwitters' Ursonate is the sound poem to end all sound poems; I don't think that any other poet has ever taken sound poetry to greater extremes. Written in and continuously modified until it reached its final form around , the Ursonate, or Sonate in Urlauten (sonata in primal sounds) was one expression of Schwitters' very own brand of Dadaism, which he referred to as "Merz"/5(4).
  6. Ursonate är en dadaistisk ljuddikt av Kurt Schwitters som komponerades Dikten existerar som ett partitur av abstrakta fonem med instruktioner på tyska men saknar sådan information som noter, tempo och dylikt. Vid framförande bygger Ursonate på rytm och soul.fivegallonbucket.netinfoters påpekar bland annat vikten av att texten ska intoneras som tyska.
  7. BLONK, JAAP: Ursonate Kurt Schwitters' legendary 'sonata in primordial sounds', a tour de force of abstract voice composition (the entire phonetic text is printed in the book) here in two versions by Jaap Blonk, one made in (and not released then for legal reasons) and a live version made in in a powerful acoustic space.

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