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Orientis Partibus II - René Clemencic, Clemencic Consort - La Fête De L´âne

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Download Orientis Partibus II - René Clemencic, Clemencic Consort - La Fête De L´âne

Label: Speakers Corner Records - HM 1036 • Format: Vinyl LP, Reissue 180 gram • Country: Germany • Genre: Classical • Style: Renaissance


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10 thoughts on “ Orientis Partibus II - René Clemencic, Clemencic Consort - La Fête De L´âne ”

  1. Discover releases, reviews, track listings, recommendations, and more about Clemencic Consort, Ensemble Ricercare* - Danses Du Moyen-Age at Discogs. Complete your Clemencic Consort, Ensemble Ricercare* collection/5(6).
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  2. Orientis partibus (Song of the Ass) Anonymous medieval processional song. Clemencic Consort directed by. Rene Clemencic. La Fête de l'Âne - Harmonia Mundi Mos florentis venustatis. Johannes von Perchausen. The Renaissance Players directed by. Winsome Evans. THE RING OF CREATION - Walsingham Classics Glorishears.
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  3. The Clemencic Consort is an ensemble specialized on performing early music on historical instruments.
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  4. Rene Clemencic ist Komponist, Dirigent, bekannter Solist auf Originalinstrumenten, Gründer und Leiter des Clemencic Consort, eines Ensembles, das spezialisiert .
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  5. La Fete De L'aneが交響曲・管弦楽曲・協奏曲ストアでいつでもお買い得。当日お急ぎ便対象商品は、当日お届け可能です。アマゾン配送商品は、通常配送無料（一部除く）。.
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  6. 10 rows · Jul 09,  · Discover releases, reviews, track listings, recommendations, and more about /5(25).
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  7. Danses Anciennes de Hongrie et de Transylvanie ~ Release by Clemencic Consort, René Clemencic (see all versions of this release, 1 available) Overview; Disc IDs; Cover Art (0) Aliases; Clemencic Consort: Olach Tancz (1st Part), Alia Chorea, Alia .
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  8. Orientis Partibus - Echo la primavera, che 'l cor fa rallegrare Clemencic - La Fete de L'ane by Ath Samaras. Ich was ein chint so wolgetan- Clemencic Consort by Mavritivs Tafallensis.
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  9. Clemencic Consort, Rene Clemencic - La Fête de L'âne: Traditions du Moyen Age - soul.fivegallonbucket.netinfo Music.
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  10. Jan 19,  · This performance by the Clemencic Consort includes Binchois's Missa Ferialis (Mass for Everyday Use), a magnificat, and ten French-language chansons. The recording was made in , and to my ears today it sounds "dated" in performance practices. Very few ensembles now would choose to combine a voice with a shawm, as is done on one track of 4/5(1).
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